Released in 1972, Mardi Gras was Creedence Clearwater Revival's last album. Most consider it the group's worst album and Rolling Stone Magazine called it the worst album by a rock band ever.
The project was mired in discontent, with Tom Fogerty leaving beforehand and John Fogerty only making a half-hearted effort. The rhythm section of Stu Cook and Doug Clifford – never considered songwriters before – were forced to pick up the slack. Tom, Stu and Doug felt that John was too controlling and unwilling to listen to their ideas, and John was angry that they didn’t seem to appreciate that their success was mostly due to him.
But what if cooler heads had prevailed? What if instead of Tom leaving the band, everyone took a year off to do their own thing? Tom could release his two solo albums of 1972 (Tom Fogerty and Excalibur), and John and Doug issued one apiece the same year (Blue Ridge Rangers and Cosmo, respectively). Then, they could reconvene for one last CCR album that was still dominated by John but also more of a group effort.
SIDE A
1. Sweet Hitchhiker
2. Lookin’ for a Reason
3. Mystic Isle Avalon
4. What Are You Gonna Do
5. Back in the Hills
SIDE B
1. Joyful Resurrection
2. Hello Mary Lou
3. Door to Door
4. You Don’t Owe Me
5. Someday Never Comes
To revamp Mardi Gras, it was first important to remove the worst songs, which I believe were “Sail Away,” “Take It Like a Friend,” “Tearin’ Up the Country” and “Need Someone to Hold.” Not coincidentally, these are all songs by either Stu or Doug. I kept one song by each, “What Are You Gonna Do” and “Door to Door.” In the end, I kept only six of the album's 10 tracks.
In 1973, John released a single credited to the Blue Ridge Rangers. But unlike the album under that name that was made up of all covers, both sides of the single were written by John: “You Don’t Owe Me” and “Back in the Hills.” So, I included both songs.
Also, that year, Tom recorded a song titled “Mystic Isle Avalon” that actually includes all four members of CCR – in essence, the last CCR-recorded song. The track appeared on Tom’s Zephyr National album, which has Stu and Doug on every track. I also took “Joyful Resurrection” – the same album’s single – to include on the revised Mardi Gras.
Finally, I arranged the tracks in a way that I thought worked best. “Lookin’ for a Reason” was a terrible opening track for the album in my opinion, and instead I opened it with the best track on the album, the barn-burnin' “Sweet Hitchhiker.” "Lookin' for a Reason" is moved to the second track, followed by Tom's "Mystic Isle Avalon" and Doug's "What Are We Gonna Do." The first side ends with John's Blue Ridge Rangers track "Back in the Hills."
Tom’s song “Joyful Resurrection” opens the second side, followed by the cover of "Hello Mary Lou" and Stu's "Door to Door." The album closes with John’s “Someday Never Comes,” which seems appropriate.
Overall, while I still don't think this would have been the best CCR album, I do believe it’s a considerable improvement over what was released. I kept the original cover.
Here's a YouTube playlist of the album.
I threw this together and gave it a quick listen. Nice. Agree with every choice made. Thanks
ReplyDeleteCool! Thanks for your feedback. I feel validated. Haha
DeleteWhile “Mardi Gras” is certainly the weakest album that CCR produced by a substantial margin, is far from being a the piece of trash that it has been labeled by its critics. The Rolling Stone comment that it is the worst album by a rock band ever is just ridiculous. I listen to this album from time to time with enjoyment, and appreciate it for its potential to have been a solid album if CCR hadn’t self-imploded. That being said, I appreciate your efforts to resurrect this album from the trash bin. In regards, to the songs that you disregarded from the original, I agree with the removal of “Take It Like a Friend” and “Tearin’ Up the Country”, which are not very good tracks. However, I think the song “Sail Away” has a strong personality and which I enjoy (maybe I am the only one who thinks so). And “Need Someone to Hold” is also not a bad song, which is only held back by the vocal. It has somewhat of “The Band” feel to it. One can imagine how the song might have come to life with a Rick Manuel or Rick Danko vocal. For the reimagined album, I would have have kept one of those two latter tracks, and removed instead the cover for “Hello Mary Lou,” which was poorly done on the album. Anyway, good post.
ReplyDeletePurcell
Thanks for your comments. I debated on whether to keep "Hello Mary Lou," but ended up doing so to keep more JF vocals. However, it was a close call in the end. Thanks again.
DeleteAnother nice reconstruction. Still not near their peak material from ‘69 and ‘70. However, I think it would have equaled or surpassed their self-titled initial release. Good job!
ReplyDeleteThanks for your comments!
DeleteI made one almost like this some time ago. I also included Comin' Down The Road, which I believe is from around that time.
ReplyDeleteYeah, "Comin' Down the Road" backed with "Ricochet" was a non-album single from '73. Both tracks could certainly be added to make the album a bit lengthier.
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