Sunday, October 6, 2024

The Beatles - Band version of White Album



Well, all good things must eventually come to an end. Back when I started, I had ideas for about a dozen albums, and I never dreamed that it would continue for seven years with more than 150 albums! For the final entry, I decided to end this blog with the way it started: a take on The Beatles' "White Album." 


Way back in the good ol' days of 2017, I reimagined the White Album as three separate albums that I felt better organized the songs:
There are many ways you can slice and dice the album. But I find it both surprising and enlightening that of the 30 tracks that make up the White Album, only 16 (slightly more than half) actually feature all four band members performing.

And there doesn't seem to be any consistency of one member missing from a track. John Lennon is the only no-show on Ringo Starr's "Don't Pass Me By" and George Harrison's "Long Long Long." Paul McCartney and Starr collaborated as a duo on "Why Don't We Do It in the Road?" while Lennon and Harrison were the only Beatles on "Revolution 9." Songs such as "Julia" and "Blackbird" are basically solo efforts for Lennon and McCartney respectively, and so on.

So, I put together the tracklist below if you want an actual, true "Beatles" White Album, with the full band contributing. The only problem is that one track had to go if you want to keep within the time constraints of a vinyl album.

SIDE A
1. Glass Onion
2. Ob-La-Di, Ob-La-Da
3. The Continuing Story of Bungalow Bill
4. Birthday 
5. Happiness is a Warm Gun
6. Piggies
7. Rocky Raccoon
8. Cry Baby Cry

SIDE B
1. While My Guitar Gently Weeps
2. Yer Blues
3. Everybody's Got Something to Hide Except for Me and My Monkey
4. Honey Pie
5. Sexy Sadie
6. I'm So Tired
7. Helter Skelter

Interestingly, Lennon's songs dominate this version of the album. So much so that when it came time for me to determine which track to leave out, I chose one of his: "Revolution 1." I figured that "Revolution" was released as a single, so jettison the slow version. Maybe it could have been the B-side of a single.

No band member performs on all 30 tracks of the White Album. McCartney leads with 24, followed by Starr with 22, and both Harrison and Lennon with 20 each.

The familiar album opening with a jet plane sound on "Back in the U.S.S.R" is not included because Starr walked out in a huff during the recording sessions, and McCartney handled drums instead. The same goes for "Dear Prudence." So, I ended up starting this album with tracks three and four.

I mixed up the order a bit, using "Cry Baby Cry" with its "Can You Take Me Back" closing tag as a nice way to end the first side. "My Guitar Gently Weeps" is given more of a spotlight as the opening track of the second side. And I closed the album with the metal "Helter Skelter"—the "I got blisters on my fingers!" line is a great way to end the album as a whole.

Overall, it's an interesting twist and mix.

And so we end the blog. Thanks to all of those who've taken the time to read the entries and post comments. I'll leave the blog as is for the foreseeable future so that newcomers can find it and maybe be inspired.




Sunday, September 1, 2024

Moody Blues - "Sands of Times"

 


In 1974, several members of the Moody Blues were burnt out from constant recording and touring, and the band decided to take a hiatus that lasted nearly three years. But the band members didn't just sit around and relax. Instead, they all put out solo albums, and some members toured to promote the albums. I wanted to look at the solo albums of the group members to see if I could take tracks from each to create what could have been a new Moody Blues album for 1975 or 1976. 

SIDE A
1. This Morning
2. Free as a Dove
3. I Wish We Could Fly
4. Island
5. Saved by the Music

SIDE B
1. Remember Me (My Friend)
2. The Promise
3. High Above My Head
4. I Dreamed Last Night
5. When You Wake Up

Actually, we have one real Moody Blues song to include: "Island." The band recorded it in 1973 for what was to be their next album. However, since they went on hiatus, the song remained unreleased until 2007, when it was added to the album Seventh Sojourn as a bonus track. 

Of the five members, the only solo work I felt I couldn't use was that of drummer Graeme Edge's Kick Off Your Muddy Boots, credited to the Graeme Edge Band featuring Adam Gurvitz. That's because Gurvitz sings lead vocals on all the tracks, and since he wasn't a member of the Moody Blues, none of the songs seemed appropriate. Moodies Justin Hayward and John Lodge collaborated on an album titled Blue Jays. I ended up using five tracks from this album. Ray Thomas issued the album From Mighty Oaks, and I used two tracks from this. I also used two tracks from Mike Pinder's The Promise album.

Not surprisingly, Hayward-penned tracks dominated as they usually did on Moody Blues albums. 

I started the album with "This Morning" from the Blue Jays album, as I think it's the only track here with that classic Moody Blues sound. And because of this, I'm a little surprised it wasn't the single taken from the album. Making up the rest of Side 1 are "Free as a Dove" from Pinder, "I Wish We Could Fly" from Thomas, the sole actual Moody Blues song, "Island," and finally, another Blue Jays track, "Saved by the Music."

"Remember Me (My Friend)," "I Dreamed Last Night" and "When You Wake Up" are all Blue Jays tracks on Side 2. Also included are Pinder's "The Promise" and "High Above My Head" from Thomas' From Mighty Oaks.

Overall, I think these tracks fit together fairly well. I still find it odd that group members would declare burn out as a reason for a hiatus, only to turn around and work just as much as they would normally.

For an album cover, I would have liked to use some otherwise unused artwork by Phil Travers, who usually created the band's cover art. But I couldn't find any searching the web. However, I found this artwork of sand dunes that I thought was sorta, kinda similar to Travers' style -- but I couldn't find info on who created it. With the cover art chosen, I came up with Sands of Time for the title.

Here is a YouTube playlist of the album.


Sunday, August 4, 2024

The Doobie Brothers - "What It Takes"

 


Not long ago, I was flipping TV channels when I came upon a recent live concert by the Doobie Brothers on PBS, which inspired me to create this imagined album. I always like creating “what if” albums for groups that have more than one vocalist, as it is fairly easy to do by combining tracks from the vocalists’ solo albums. And that’s what I did here.

After the Doobie Brothers released One Step Closer in 1980 and completed a farewell tour, the group officially broke up in 1982. At that point, the group had two primary vocalists, original member Patrick Simmons and Michael McDonald, who’d joined in 1976.

So, I wanted to see if I could compile an album for the group as if they had released an album in 1982-83 rather than breaking up. The songs of this imagined album are sourced from three solo albums: Michael McDonald’s If That’s What It Takes, Patrick Simmons’ Arcade, and the Cornelius Bumpus Quartet’s Beacon.

SIDE A

1. Out On The Streets

2. I Keep Forgettin' (Every Time You're Near)

3. I Gotta Try

4. Why You Givin’ Up

5. If That's What It Takes

SIDE B

1. Playin' By The Rules

2. So Wrong

3. Have You Seen Her

4. Waltz For Little Buddy

5. Believe in It

Simmons used several former bandmates on his album, making it somewhat easy to pick which tracks should be included here. “Out on the Streets” includes guitar by John McFee as well as backup vocals by Tom Johnston and McDonald; “Why You Givin’ Up” (which was co-written by McDonald) has Jeff “Skunk” Baxter on guitar, Bumpus on sax and McDonald on backup vocals; and “Have You Seen Her” also includes McDonald on backup vocals. In addition, I also included the track “So Wrong,” which apparently surprised Simmons and record executives when it became a U.S. dance/disco hit, peaking at #8.

From McDonald’s album, I chose five tracks: “I Keep Forgettin’” was the big hit from the album; “I Gotta Try” was co-written by Kenny Loggins as was a previous Doobie Brothers hit “What a Fool Believes”; the title track “If That’s What It Takes”; as well as “Playin’ by the Rules” and “Believe In It.”

On One Step Closer, Bumpus wrote and sang on one track, so I wanted to include a song of his on this album also. Despite the group bearing his name, the only track on Beacon written by Bumpus is “Waltz for Little Buddy” – an unassuming jazzy instrumental. One Step Closer also included an instrumental as the second to last track of the album, so that’s where I included this Bumpus song.

I struggled with ideas for an album cover. Eventually, I chose the cover of the Doobie Brothers’ album Farewell Tour, cropped the image and added new text. For a title, I took part of McDonald’s solo album title and named it What It Takes.

Here's a YouTube playlist of the album.

Sunday, July 7, 2024

The Beach Boys - "20/20" (double album)

 


It’s no secret that the Beach Boys and the Beatles saw themselves as friendly rivals and influences. Vocal parts of the Beatles’ “Paperback Writer” were influenced by the Beach Boys’ “I Get Around.” And the race was on: Rubber Soul begat Pet Sounds which begat Revolver. The Beach Boys’ “Good Vibrations” single certainly upped the ante and expectations were high for the next album Smile.

But then the Beach Boys basically went off the rails with Brian Wilson’s drug use and resulting mental issues. Plus, I would argue that while interesting, the songs recorded for Smile just weren't strong enough. Sgt. Pepper’s Lonely Hearts Club Band came out in May 1967, and when Smile was kind of salvaged with Smiley Smile issued four months later, there really wasn’t much of a competition anymore.

However, the Beach Boys' influence on the Beatles continued at least for a little while. It’s been suggested that the Beach Boys’ Wild Honey may have helped convince the Beatles to use a more of a back-to-basics approach for The Beatles, and certainly the opening track “Back in the U.S.S.R” is a Beach Boys homage.

I wondered if the competition was still in effect, whether the Beach Boys might have followed the Beatles with their own double album (and this is, of course, assuming Capitol Records execs would have agreed to this for a band whose market value was by now greatly diminished).

I wanted to take all the tracks the Beach Boys recorded in 1968 following the release of their Friends LP and expand the 1969 album 20/20 to two discs.

SIDE A

1. Intro 

2. Do It Again 

3. We're Together Again 

4. Well, You Know I Knew 

5. Peaches 

6. Be with Me 

SIDE B

1. All I Want to Do 

2. Walkin'

3. Away 

4. Cabinessence 

5. Sail Plane Song 

6. Been Way Too Long (Can't Wait Too Long) 

SIDE C

1. I Can Hear Music 

2. Old Folks Home / Old Man River 

3. Is It True What They Said About Dixie? 

4. Cotton Fields 

5. Bluebirds over the Mountain 

6. Mona Kana 

SIDE D

1. Oh Yeah 

2. Never Learn Not to Love 

3. Walk on By 

4. Time to Get Alone 

5. I Went to Sleep 

6. The Nearest Faraway Place 

7. A Time to Live in Dreams 

8. Rendezvous (Do It Again) 

Twenty-four tracks are taken from two sessions: May – July 1968 and September – November 1968. The two concessions are “Cabinessence,” originally recorded in 1966 for Smile but which received new overdubs in 1968 before being included on 20/20, and “Away,” an outtake from the Friends sessions.

In arranging the tracks for the four sides of this theoretical album, I considered humor (which was very important to Brian Wilson) and pseudo themes. My version of this album opens with a snippet from “The Gong,” taken from the I Can Hear Music: The 20/20 Sessions. I only use the 27 seconds of the Dennis Wilson's (3:16-3:44) "new day" speech as a lead-in for “Do It Again.” I use the alternate version of this song from I Can Hear Music that's about 25 seconds longer than the single version. I thought it was kind of humorous to have "Do It Again" followed by "We're Together Again." The rest of the first side is dominated by Dennis Wilson songs. One of these, "Peaches," was a demo and I've used a fan-created mix that helps smooth out the rough edges.

After opening with the rockin' "All I Want to Do," the second side has a vague travel theme with “Walkin’” followed humorously by “Away,” and then “Cabinessence” (“Who ran the iron horse? Have you seen the grand coolie workin' on the railroad?”) and “Sail Plane Song.” I ended the side with “Been Way Too Long” (aka “Can't Wait Too Long”) and used a fan-created, six-minute “ultimate mix” version.

The third side opens with “I Can Hear Music” and then focuses on covers of older music, including “Old Man River / Old Folks Home” (1920s), “Is It True What They Said About Dixie?” -- with the Wilson brothers' mother on lead vocal -- (1930s),  “Cotton Fields” (1940s) and “Bluebirds over the Mountain” (1950s), before ending with the instrumental “Mona Kana.”

The final side opens with the oddity “Oh Yeah,” and the last five tracks share a vague theme of “time” and “dreams.” To close the final side, I used an edit of only the last 42 seconds of “Rendevous,” an early version of “Do It Again,” to bookend the album.

Overall, I think this gives a much bigger picture of the Beach Boys at this time than the actual 20/20 album. But even if this version of the album had been released at the time, I can’t say if it would have been successful. Given that the actual 20/20 managed to make to only #68 on the Billboard charts indicates that the Beach Boys' career was for the times in the dumper. However, 20/20 surprisingly rose to #3 in Britain, so who knows?

For the album cover, I used a photo from the same photo shoot as the actual 20/20 cover, which I think is far superior.

Here is a YouTube playlist of the album, but it doesn't include the first and last tracks that I used personal edits for.

Sources:

  • I Can Hear Music: The 20/20 Sessions - A1 [edit], A2, A4, A6, B1, B2, B5, C3, C5, C6, D1, D3, D7, D8 [edit]
  • 20/20 - B4, C1, C4, D2, D5, D6
  • Made in California - A3
  • Mr. J Wilson - A5
  • Wake the World: The Friends Sessions - B3
  • Hawthorne, CA: Birthplace of a Musical Legacy - C2
  • Summer Love Songs - D4
  • forjustsomemusicstuff - B6

Sunday, June 2, 2024

Elvis Presley – Discography 1960 - 1963

This entry is to close out my Elvis Presley "discography series," but in fact, I made very few changes to what was released during this time. In my opinion, RCA et al did a decent job during these four years of releases. The only changes I make are to replace the 1961 Flaming Star EP with a single (the additional two songs were unnecessary re-releases), redo the third volume of the Golden Records series and add my revised version of the “lost” album, both from 1963.

1960

  • SINGLE: Stuck on You / Fame and Fortune (March)
  • ALBUM: Elvis is Back (April)
  • SINGLE: It’s Now or Never / A Mess of Blues (July)
  • ALBUM: G.I. Blues (September)
  • ALBUM: His Hand in Mine (November)
  • SINGLE: Are You Lonesome Tonight? / I Gotta Know (November)

1961

  • SINGLE: Surrender / Lonely Man (February)
  • SINGLE (add): Flaming Star / Summer Kisses, Winter Tears (April)
  • EP (delete): Elvis by Request: Flaming Star and 3 Other Great Songs (April)
  • SINGLE: I Feel So Bad / Wild in the Country (May)
  • ALBUM: Something for Everybody (May)
  • SINGLE: (Marie’s the Name) His Latest Flame / Little Sister (August)
  • ALBUM: Blue Hawaii (October)
  • SINGLE: Can’t Help Falling in Love / Rock a Hula, Baby (November)

1962

  • SINGLE: Good Luck Charm / Anything That’s Part of You (February)
  • EP: Follow That Dream (April)
  • ALBUM: Pot Luck (May)
  • SINGLE: She’s Not You / Just Tell Her Jim Said Hello (July)
  • EP: Kid Galahad (August)
  • SINGLE: Return to Sender / Where Do You Come From? (October)
  • ALBUM: Girls! Girls! Girls! (November)

1963

ALBUM: Elvis’ Golden Records, Vol. 3 (January)

SIDE A

1.       Stuck on You

2.       Fame and Fortune

3.       It’s Now or Never

4.       Are You Lonesome Tonight?

5.       I Gotta Know

6.       Surrender

SIDE B

1.       I Feel So Bad

2.       Wild in the Country

3.       (Marie’s the Name) His Latest Flame

4.       Little Sister

5.       Can’t Help Falling in Love

6.       Good Luck Charm

RCA released Elvis’ Golden Records, Vol. 3 in August 1963. I would have pushed it up as a January 1963 release and changed the track listing a bit, as well as organized the songs in chronological order. Removed from the album are “Anything That’s Part of You,” which only made it to #31 on the charts; as well as “She’s Not You,” which was released only seven months prior. Instead, I included “Wild in the Country” (a #26 hit) and “Can’t Help Falling in Love” (a #2 hit that had been inexplicably left off). I decided to use this alternate cover I found on the web.

  • SINGLE: One Broken Heart for Sale / They Remind Me Too Much of You (January)
  • ALBUM: It Happened at the World’s Fair (April)
  • SINGLE: (You’re the) Devil in Disguise / Please Don’t Drag That String Around (June)

ALBUM: For the Asking (August)

SIDE A

1.       (It’s a) Long Lonely Highway

2.       What Now? What Next? Where to?

3.       Ask Me

4.       Echoes Of Love

5.       Western Union

6.       Finders Keepers, Losers Weepers

SIDE B

1.       It Hurts Me

2.       Blue River

3.       Memphis, Tennessee

4.       Love Me Tonight

5.       Never Ending

6.       Slowly But Surely

In 1991, RCA released The Lost Album (later re-released as For the Asking: The Lost Album), including songs from recording sessions in 1963. Most of the tracks were supposed to make up a new studio album. But instead, it was decided that another “greatest hits” package would sell better. From the 15 songs recorded during the sessions, I didn’t include the three that were used for singles during this year: “Witchcraft,” “Please Don’t Drag That String Around” and “Devil in Disguise.” I then organized the track list keeping a mix of up-tempo songs and ballads. I think this ends up being a really good album that never quite was but should have been. For a cover, I found a version online and edited the track listing.

  • SINGLE: Bossa Nova Baby / Witchcraft (October)
  • ALBUM: Fun in Acapulco (November)

If you want to review my previous Elvis discographies, click on the links below:

Elvis Presley’s Debut Album on Sun Records

Elvis Presley’s 1950s Discography with RCA

Elvis Presley Discography, 1964-1968

Elvis Presley Discography, 1969-1977

Sunday, May 5, 2024

The Ronettes - "Paradise"

 

I was surprised to learn recently that The Ronettes only released one studio album, 1964’s Presenting the Fabulous Ronettes, during the 10 years the group was together. The group primarily released singles, and many tracks appeared on compilation albums throughout the years. 

Unable to duplicate the success of “Be My Baby,” producer Phil Spector became discouraged with the group’s potential and was distracted by other acts signed to his Philles label, his own insecurities and changing music fads.

So here I present what could have been a follow-up Ronettes album for 1965.

SIDE A

1. Is This What I Get for Loving You?

2. Paradise

3. I Wish I Never Saw the Sunshine

4. (Baby, Let’s Be) Lovers

5. Oh, I Love You

6. Everything Under the Sun

7. Keep on Dancing

SIDE B

1. Born to be Together

2. Soldier Baby (of Mine)

3. I’m a Woman in Love

4. Blues for Baby

5. Here I Sit

6. Girls Can Tell

The Ronettes released two singles in 1965: “Born to Be Together” b/w “Blues for Baby” and “Is This What I Get for Loving You?” b/w “Oh, I Love You.” Besides those four songs, eight other tracks were recorded by the group in 1964 and 1965. They sat in the vault for years before appearing on the Phil Spector Wall of Sound compilation LP series in the 1970s and 1980s.

With these 12 tracks, I also included the song “(Baby, Let's Be) Lovers,” which appeared on the 1981 compilation The Ronettes Sing Their Greatest Hits, Vol. 2 (somewhat comical since “Lovers” had not only never been released previously, but was never a hit song).

Overall, the result is a nice package of girl-group tracks produced with the Wall of Sound. For a cover, I took a black and white portrait of the group from the time period, colorized it and then added minimal graphics.

Here's a YouTube playlist of the album.

Sunday, April 7, 2024

Steely Dan - "The Bear"

 


In 1980, Steely Dan released Gaucho, the band's first album in three years, and last before Donald Fagen and Walter Becker regrouped for a new album in 2000.

Several outtakes from Gaucho remain officially unreleased, although they’ve appeared on bootlegs and the Internet over the years.

I wanted to see if I could use outtakes to create a new Steely Dan album that theoretically could have been produced around 1981-82.

SIDE A

1. Kulee Baba

2. I Can't Write Home About You

3. Kind Spirit

4. Stand by the Seaside

SIDE B

1. The Bear

2. Talkin' About My Home

3. The Second Arrangement

Five known outtakes from the Gaucho album are "Kind Spirit," "Kulee Baba," "The Bear," "Talkin' About My Home," and "The Second Arrangement." I think the demo for "I Can't Write Home About You" also dates from the sessions.

“The Second Arrangement” was supposed to have been included on Gaucho, but an assistant engineer accidentally erased the track. Becker and Fagen reportedly didn’t want to start recording the song again from scratch. However, a version on a cassette was later discovered, and cleaned up and posted online by fans.

In fact, the amazing results of new software and fans’ creativity have resulted in what I think are good-sounding versions of all these leftovers.

"Stand by the Seawall" is an instrumental outtake from the Aja album. If it had been completed, it would likely have had lyrics, but I use it here as an instrumental ending for the album's first side.

Granted, seven songs make for a fairly short album, even if all the tracks range in the 4 to 5-plus-minute territory. As arranged, the album clocks in at 32:19, more than five minutes shorter than Gaucho.

And many purists will roll their eyes at the idea of using these revamped tracks to create a “new” Steely Dan album, especially given the well-documented perfectionism of Becker and Fagen. But after I arranged these songs and hit “play,” it sounded like a long-lost Steely Dan album to these ears.

I decided to use “The Bear” as the title track and then searched the Web for artwork. I found this rustic-looking image, and since it kind of looked like the California flag, I used a font similar to that used on the flag.

Here's a YouTube playlist of the album.

Sunday, March 3, 2024

Stevie Wonder - "Front Line"

 

In 1982, Stevie Wonder released a two-disc album of greatest hits titled Stevie Wonder's Original Musiquarium I. (To date, there hasn't been an Original Musiquarium II, but I digress). On this album, he included four new tracks, all of which were also released as singles and became sizable hits.

I don't know if the four songs were specifically recorded for this compilation, they were leftover tracks from previous albums or if Wonder had originally penned them for a new album. Whatever the case, I wanted to take the four songs and see if I could find other stray tracks from the same period to create what could have been a new studio album for 1982 instead of a greatest hits package.

SIDE A

1. Front Line

2. Ribbon in the Sky

3. Stay Gold

4. What's That You're Doing?

SIDE B

1. That Girl

2. Front Line Revisited (instrumental)

3. Do I Do

Besides the four new tracks -- "Front Line," "Ribbon in the Sky," "That Girl" and "Do I Do," I also included "Stay Gold" from the soundtrack of the film "The Outsiders." Interestingly, when "The Outsiders" was rereleased several years later, director Francis Ford Coppola decided the score by his father Carmine (who co-wrote "Stay Gold") wasn't right for the film, and he changed the music. So moving the song to this album kind of saves it.

In addition, I included Wonder's collaboration with Paul McCartney, "What's That You're Doing?" It's actually not that uncommon for two singers to do a duet and then have the song appear on both of their respective solo albums (see "My Little Town" by Paul Simon and Art Garfunkel). Plus, "What's That You're Doing?" always seems out of place on McCartney's Tug of War album, and I think it fits better here.

Finally, to fill out the album, I added the instrumental version of "Front Line" (found on the B-side of the single) to act as a coda before launching into the epic 10 1/2-minute "Do I Do" that concludes the album. Both sides end up clocking in at a little over 21 minutes.

I think overall this is a pretty good album with a nice musical variety and would have fit in well as a followup to Wonder's 1980 album Hotter Than July. Plus, the four tracks from Original Musiquarium I are allowed to better shine here.

I titled the album Front Line since I use two different versions of the song, and I repurposed the single's cover for the album cover after I did a little Photoshopping.

Listen to the YouTube playlist.

Sunday, February 4, 2024

Van Halen - "Zero"



Van Halen famously had a 25-song demo tape that made the rounds as the band was searching for a record deal. Over the years, nearly all of those songs (in one form or another) made it onto regular albums, some being included on the band’s last album in 2012. 

I wanted to create an album of any leftover tracks from the band's pre-record deal that could be cobbled together into a DIY album for 1977.

SIDE A

1. Piece of Mind

2. Young and Wild

3. Woman in Love

4. I Wanna Be Your Lover

5. Babe, Don’t Leave Me Alone


SIDE B

1. Light in the Sky

2. Angel Eyes

3. We Die Bold

4. Get the Show on the Road

5. Gonna Take a Lot of Drugs

I sort of considered this exercise as an alternate universe where the band got tired of waiting for a record deal and issued its own low-budget album to sell at shows. Sadly, all the demos that you find on bootlegs sound like third or fourth-generation recordings, but they're at least listenable.

There are some demos from earlier than 1976 floating around the interwebs, but the sound quality on them is not very good. The one exception I made was the inclusion of “Angel Eyes” from 1974 because I simply needed at least one more track. I could be wrong, but I think David Lee Roth is the only one actually performing on the track with vocals and guitar. Besides that song and "Woman in Love" and "Babe, Don't Leave Me Alone" (both from 1976), the rest of the tracks are from 1977.

There's a bit of "Get the Show on the Road" that was later used in the song "Romeo's Delight," but I decided that it was different enough to include here. "Gonna Take a Lot of Drugs" was a joke recording of Roth and Michael Anthony singing different lyrics to Nicolette Larson's "Lotta Love" which had been produced by their producer Ted Templeman. It's doubtful this ever would have been made commercially available, but I thought it was a humorous way to end the album.

For a cover, I chose the rejected cover for the first album. The photo is ridiculous in so many ways with Alex Van Halen looking like the leader, Roth looking asleep, Anthony looking scared and Eddie Van Halen looking mad. And the cover overall looks like it belongs to some new wave group. But it captures the band members as they were at the time. Zero has been used as a title by others for compilations of the band's demos (as opposed to Van Halen and Van Halen II), and I figured it was just as good as any other so I adopted it as well.


Sunday, January 7, 2024

Elvis Presley Discography, 1969 - 1977.

I debated on whether to delve into a third reimagined discography for Elvis Presley. But after digging into recording session details and other info, I decided to give it a shot. Plus, his 89th birthday is tomorrow. 

The primary problem with Elvis’ discography in the 1970s is the perplexing number of compilation albums, many with no rhyme or reason in their song selection. These coupled with numerous live albums and actual new material created a glut of music being released that competed with itself and confused the public.

There’s an odd thing about album covers for Elvis during this time period. Apparently after more than a decade of sitting for professional publicity portraits for albums, movies and whatever else, Elvis refused to do any more. And therefore, the record company started using photos of Elvis performing on stage for nearly every album. I think this gives the false impression to the general public that Elvis released more live albums than he actually did. That’s not to say there weren’t more live albums than necessary in the 1970s -- there were five between 1969 and 1974. However, I assume RCA Records had a graphic arts shop and could have been a little more imaginative (Elvis Country is a good, rare example). So, I’ve attempted to find or create better covers for several of the albums. 

FROM ELVIS IN MEMPHIS

SIDE A

1. Wearin' That Loved on Look

2. This Is the Story

3. I'll Hold You in My Heart ('Till I Can Hold You in My Arms)

4. Long Black Limousine

5. A Little Bit of Green

6. I'm Movin' On

SIDE B

1. From a Jack to A King

2. Gentle on My Mind

3. Inherit the Wind

4. Rubberneckin'

5. You'll Think of Me

6. Without Love (There Is Nothing)          

At first, I wasn’t sure this album needed to be tinkered with. It’s one of the few of Elvis’ that is highly praised. But From Elvis in Memphis and the follow-up Back in Memphis are made up of tracks from two different recording sessions: Jan. 13-23 and Feb. 17-22. I thought it would be interesting to put only January tracks on the first album and February tracks on the second, and leaving all the A-sides of singles off the albums entirely.

There’s something absurd about calling an album From Elvis in Memphis and showing him performing on a Hollywood soundstage on the album cover. So for this particular cover, I found an image already created and just added the title.


BACK IN MEMPHIS

SIDE A

1. Power of My Love

2. Only the Strong Survive

3. Do You Know Who I Am?

4. If I'm a Fool (For Loving You)

5. And the Grass Won't Pay No Mind

6. Any Day Now

SIDE B

1. Stranger in My Own Hometown

2. After Loving You

3. The Fair's Moving On

4. True Love Travels on A Gravel Road

5. Who Am I?

6. It Keeps Right On A-Hurtin'

The album was originally released as part of a two-record set along with a live album from Las Vegas. And the following year, both albums were released individually. When this came out, calling this album of leftovers Back in Memphis didn’t make much sense. But in this new configuration, all the tracks are from the February 1969 sessions, so this is now actually a return to the Memphis studio following the previous recording sessions in January. I’ve made this album longer than the original with the addition of two extra tracks. I used some existing artwork I found to create this cover.


ELVIS IN NASHVILLE

I previously worked on this album, and you can find a whole blog entry about it here. I'm adding an alternative album cover I liked, which I think is from the Follow That Dream series.


ELVIS COUNTRY

SIDE A

1. I Washed My Hands in Muddy Water

2. Snowbird

3. Tomorrow Never Comes

4. Little Cabin on The Hill

5. Whole Lotta Shakin' Goin' On

6. Funny How Time Slips Away

SIDE B

1. There Goes My Everything

2. It's Your Baby, You Rock It

3. The Fool

4. Faded Love

5. I Really Don't Want to Know

6. Make the World Go Away

7. I Was Born About Ten Thousand Years Ago

The idea behind this album was to take several country songs from the recording sessions and put them together into a sort of concept album. This is one of the very few Elvis albums that some actual thought was put into creating it, so I decided not to mess with it too much. However, I don't think “Snowbird,” a very recent hit for Anne Murray, was the best way to start the album. So, I shuffled the songs a little. "I Washed My Hands in the Muddy Water" is a much more energetic and gripping opening track, especially the long, nearly five-minute version. Also, throughout the original album are snippets of the song “I was Born About Ten Thousand Years Ago” and I think the album would have benefitted with the song in its entirety also being included at the end, which I've done here. I used the FTD cover (which I prefer) for their alternate version of this album.


LOVE LETTERS FROM ELVIS

SIDE A

1. Cindy, Cindy

2. Love Letters

3. If I Were You

4. Got My Mojo Working / Keep Your Hands Off of It

5. Only Believe

6. Heart of Rome

SIDE B

1. When I'm Over You

2. This Is Our Dance

3. I'll Never Know

4. It Ain't No Big Thing (But It's Growing)

5. Life

6. Where Did They Go, Lord?

This album has pretty much all the leftovers from the June 1970 recording sessions that don’t appear on Elvis Country or my remade Elvis in Nashville. I thought “Love Letters,” a remake of a song he recorded and released back in 1967, was a bad way to open the album. “Cindy Cindy” is much more energetic, so I used that as the opening track, and shuffled the rest. Finally, I added “Where Did They Go, Lord?” to make the album longer and to end it with a song that’s a bit more powerful than “Life.” I used some artwork I found online and did some altering in Photoshop to create the cover.



ELVIS SINGS THE WONDERFUL WORLD OF CHRISTMAS

There isn’t much you can do to change an album of holiday songs, so I didn’t, not even the album cover. 


ELVIS NOW

SIDE A

1. Help Me Make It Through the Night    

2. Put Your Hand in The Hand 

3. It's Only Love

4. I'm Leavin'  

5. Padre               

6. Until It's Time for You to Go    

SIDE B

1. We Can Make the Morning     

2. Early Mornin' Rain

3. It's Still Here

4. I'll Take You Home Again, Kathleen      

5. The First Time Ever I Saw Your Face

6. Fools Rush In (Where Angels Fear to Tread)

This album needed some TLC. Although there were enough tracks from 1971 sessions to make a full album, for some reason it was decided to throw in leftovers from January 1969 and June 1970. The result was a mishmash and definitely not “now.” I removed the three older tracks and added four. I also removed “Miracle of the Rosary” and moved it to the next album. As released, Elvis Now was a short album and my version is a little more than five minutes longer. But I think the important thing is that it's now more contemporary. I found this burnt orange artwork online and thought it would make the perfect cover once I did a little altering.


AMAZING GRACE

SIDE A

1. Amazing Grace             

2. Lead Me, Guide Me

3. He Touched Me           

4. I've Got Confidence   

5. An Evening Prayer

6. Seeing Is Believing      

SIDE B

1. Reach Out to Jesus

2. He Is My Everything  

3. There Is No God but God         

4. I, John                             

5. Bosom of Abraham

6. Miracle of the Rosary

In 1972, Elvis released a contemporary gospel album titled He Touched Me. Despite the sentiment of the title song, an album titled He Touched Me just sounds wrong. So I’ve retitled it Amazing Grace and used the album cover from a compilation album titled You’ll Never Walk Alone. The only changes I made to the track listing were removing "A Thing Called Love" (a non-gospel song that had no reason to be here) and adding the song “Miracle of the Rosary” (which was recorded during the same sessions and I’m not sure why it wasn’t included originally).


BURNING LOVE

SIDE A

1. Burning Love

2. For the Good Times   

3. Where Do I Go from Here

4. Love Me, Love the Life I Lead

5. Fool

6. Separate Ways             

SIDE B

1. Always on My Mind   

2. It's a Matter of Time

3. A Thing Called Love

4. I will be True

5. (That's What You Get) For Lovin' Me

6. My Way

Looking back, many critics have chastised RCA for not having a new album to feature Elvis’ last big hit, “Burning Love.” Instead, RCA strangely attached the new tracks “Burning Love,” “It’s a Matter of Time,” “Separate Ways” and “Always on My Mind” onto two horrible compilation albums of random tracks Elvis had recorded in the 1950s and 1960s. It’s beyond a headscratcher – it’s something close to a crime. RCA kind of tried to rectify the mistake in 1999 with a Burning Love album that included most of the tracks of the time period, but also included live tracks.

Perhaps the biggest problem was that Elvis only recorded seven tracks during the March 1972 sessions – not enough for an album, even a short one. What I’ve done here is take all seven tracks recorded in March 1972 and added "My Way," "Love Me, Love the Life I Lead," "I will be True," "(That's What You Get) For Lovin' Me" and "A Thing Called Love," all of which were recorded the previous year. For the album cover, I had fun throwing the kitchen sink at it -- different existing art, Photoshop maneuvering, fonts, etc.


RAISED ON ROCK

SIDE A

1. Raised on Rock            

2. Are You Sincere

3. Find Out What's Happening   

4. I Miss You

5. Girl of Mine

6. I've Got a Thing About You, Baby           

SIDE B

1. For Ol' Times Sake

2. If You Don't Come Back            

3. Just A Little Bit

4. Sweet Angeline

5. Three Corn Patches    

6. Take Good Care of Her

The original version of this album had 10 tracks even though 12 had been recorded in the sessions of July 1973. Both “I've Got a Thing About You, Baby” and “Take Good Care of Her” were left off for a single, and eventually included on the next album. I rectify the issue by including all the tracks from the sessions. I've never understood the double title of this album, Raised on Rock / For Ol' Times Sake. Seems like people couldn't make up their minds. I stuck with just one title.


GOOD TIMES

SIDE A

1. Talk About the Good Times

2. Loving Arms  

3. I Got a Feelin' in My Body

4. If That Isn't Love

5. She Wears My Ring

SIDE B

1. Your Love's Been a Long Time Coming

2. It's Midnight

3. My Boy           

4. Spanish Eyes

5. Good Time Charlie's Got the Blues

It almost seems like someone was going with a theme or concept about "time" for this album. Or maybe it was just a coincidence of the words Good Time(s) being in two of the song titles. A total of 18 songs were recorded during sessions in December 1973, and they would be used to make up both the Good Times and Promised Land albums. I "fix" Good Times by including only tracks recorded during these sessions, and that means adding "Your Love's Been a Long Time Coming" and "It's Midnight." The titles of these two songs also refer to time and now maybe in this configuration of Good Times really is some type of loose concept album. Not my favorite album cover, but trying to find usable, non-perfomance photos for the right time period can be daunting.



HAVING FUN WITH ELVIS

SIDE A

1. Don't Think Twice, It's All Right (jam – May 1971)

2. It's Diff'rent Now (rehearsal – July 1973)          

3. Froggy Went A-Courtin’ (rehearsal – July 1970)

4. Lady Madonna (informal recording – May 1971)           

5. It's My Way (Of Loving You) / This Time / I Can't Stop Loving You (jam – February 1969)

6. I Didn't Make It on Playing Guitar (jam – June 1970)

SIDE B

1. The Lord's Prayer (informal jam – May 1971) 

2. A Hundred Years from Now (rehearsal – June 1970)

3. I Shall Be Released (informal rehearsal – May 1971)

4. Allá en el Rancho Grande (rehearsal – July 1970)

5. Stranger in My Own Hometown (rehearsal – July 1970)

In 1974, Elvis' manager Col. Tom Parker had one of his more bumbleheaded ideas: release an Elvis Presley album with no music. Having Fun with Elvis on Stage is just Elvis on stage telling various silly jokes, asking for glasses of water and chatting with the audience or band members. It’s considered by many to be one of the worst albums ever released. Parker apparently thought that a record without music meant that he and Elvis could keep all the profits, not realizing the contract with RCA (that he’d signed and negotiated) stipulated that the record company had the rights to anything Elvis recorded.

So, for this project, the obvious move might be to just ignore this album. But we now know from the many, many posthumous Elvis album releases that several jam sessions and rehearsals resulted in songs that weren’t issued while he was alive. And it occurred to me that you could create an album that if not great would at least be a lot more interesting than banal stage banter. The photo I used is a bit out of focus, but I thought it was OK given that the songs here were not meant to be polished. I included the Boxcar Records logo.


PROMISED LAND

SIDE A

1. Promised Land

2. There's A Honky Tonk Angel (Who Will Take Me Back In)

3. Help Me

4. Mr. Songman

5. Love Song of The Year               

SIDE B

1. If You Talk in Your Sleep

2. You Asked Me To 

3. The Twelfth of Never

4. Thinking About You

5. Tiger Man [jam]

For Promised Land, we have only eight tracks left over from the December 1973 sessions that also produced the songs for Good Times (Elvis didn't record anything in a studio the entire year of 1974). So, I had to find two songs to fill out the album. I added "The Twelfth of Never," which was actually recorded during a rehearsal in August 1974, and a jam from March 1975 of "Tiger Man," which kind of makes a fun ending. But to use "Tiger Man," this album would need to be released probably no earlier than May 1975, five months after the real album was released. The sound quality of "The Twelfth of Never" is not quite up to snuff, but is OK. After searching high and low for Elvis photos I thought would work with the album title, I finally gave up and went a different direction and used this sunset (or is it sunrise?) over a field that I found online.


ELVIS TODAY

Ten tracks were recorded in March 1975 and all were used for the Elvis Today album. So, nothing to change here song-wise and I left it as is, except for creating a new album cover. I have tried for the most part to avoid performance photos, but succumbed in this case as there aren't a lot of good non-performance photos from the end of Elvis' career to work with.


MOODY BLUE

SIDE A

1. Hurt

2. Never Again

3. Blue Eyes Crying in The Rain

4. She Thinks I Still Care

5. Danny Boy

6. The Last Farewell

SIDE B

1. For the Heart

2. Bitter They Are, Harder They Fall

3. Solitaire

4. Love Coming Down

5. I'll Never Fall in Love Again     

6. Moody Blue                  

In February 1976, a recording session took place at Elvis’ Memphis home Graceland. Elvis was becoming less and less interested in recording, so it was hoped that the comforts of home might help. A dozen tracks were recorded, but instead of using all 12 for a new album, two songs were held for a future single. For this reimagined album, I used all the songs from the session, which required a little change in the track listing. And since I’m including the song “Moody Blue,” I decided to take the title for what was to be the follow-up album. I wish I could find a better-quality version of this photo, but it kind of reminds me of the cover art for Bob Dylan's Greatest Hits although that wasn't my intention.


LAST SESSION

In late October 1976, Elvis recorded four songs (“It’s Easy for You,” “Way Down,” “Pledging My Love” and “He’ll Have to Go”), and that was it before he died. Four tracks are obviously not enough for an album and I’m going with the idea that they were used for two final singles that could be used on a future greatest hits compilation album of some sort.

Between Jan. 1, 1969, and the day Elvis died on Aug. 16, 1977, RCA released 14 studio albums, five live albums, seven compilation albums, 12 budget albums, two box sets and one all-talk album. That's 41 albums in less than nine years. Or to put it another way, that's more than four albums a year! Holy crap! There were also 35 singles released during that time. Oy....

So, finally, here’s my full reimagined discography for Elvis from 1969-77, free of endless compilations, repetitive live albums and gobs of singles. It still includes at least two (sometimes three) albums a year (other than 1976-77), which is more than enough.

1969

  • SINGLE: “Memories” / “Charro” (February)
  • SINGLE: “In the Ghetto” / “My Little Friend” (April)
  • ALBUM: From Elvis in Memphis (June)
  • SINGLE: “Suspicious Minds” / “I’ll Be There” (August)
  • ALBUM: Back in Memphis (October)
  • SINGLE: “Don’t Cry Daddy” / “Change of Habit” (November)

1970

  • SINGLE: “Kentucky Rain” / “Let’s Be Friends” (January)
  • SINGLE: “The Wonder of You [live]” / “Walk a Mile in My Shoes [live]” (April)
  • ALBUM: Elvis on Stage [live] (June)
  • SINGLE: “You Don’t Have to Say You Love Me” / “I Just Can’t Help Believin’ [live]” (October)
  • ALBUM: Elvis in Nashville (November)
  • SINGLE: “I Really Don’t Want to Know” / “You’ve Lost That Lovin’ Feeling [live]” (November)

1971

  • ALBUM: Elvis Country (January)
  • SINGLE: “Rags to Riches” / “Where Did They Go, Lord?” (February)
  • ALBUM: Love Letters from Elvis (June)
  • SINGLE: “Sound of Your Cry” / “Heart of Rome” (July)
  • ALBUM: Elvis Sings the Wonderful World of Christmas (October)
  • SINGLE: “Merry Christmas, Baby” / “O Come All Ye Faithful” (November)

1972

  • ALBUM: Elvis Now (February)
  • SINGLE: “Until It’s Time for You to Go” / “We Can Make the Morning” (February)
  • ALBUM: Amazing Grace (April)
  • SINGLE: “Burning Love” / “It’s a Matter of Time” (August)
  • ALBUM: Burning Love (October)
  • SINGLE: “Separate Ways” / “Always on My Mind” (November)

1973

  • ALBUM: Aloha from Hawaii via Satellite [live] (February)
  • SINGLE: “Steamroller Blues” [live] / “American Trilogy” [live] (March)
  • SINGLE: “Raised on Rock” / “For Ol’ Times Sake” (September)
  • ALBUM: Raised on Rock (October)

1974

  • SINGLE: “I’ve Got a Thing About You, Baby” / “Take Good Care of Her” (January)
  • ALBUM: Good Times (April)
  • SINGLE: “My Boy” / “Loving Arms” (May)
  • ALBUM: Having Fun with Elvis (October)
  • ALBUM: Elvis' Golden Records, Vol. 5 (December)

1975

  • SINGLE: “If You Talk in Your Sleep” / “Help Me” (March)
  • ALBUM: Promised Land (June)
  • SINGLE: “Promised Land” / “It’s Midnight” (June)
  • SINGLE: “T-R-O-U-B-L-E” / "Mr. Songman" (September)
  • ALBUM: Elvis Today (October)

1976

  • SINGLE: “Hurt” / “For the Heart” (March)
  • ALBUM: Moody Blue (May)
  • SINGLE: “Moody Blue” / “She Thinks I Still Care” (November)

1977

  • SINGLE: “Way Down” / “It's Easy for You” (June)
  • SINGLE: “Pledging My Love” / “He’ll Have to Go” (September) [posthumous]

1978

  • ALBUM: Elvis' Golden Records, Vol. 6 (October) [posthumous]

Most of these tracks can be found on the box sets From Nashville to Memphis: The Essential '60s Masters and Walk a Mile in My Shoes: The Essential '70s Masters. However, you'll have to find some tracks on the original albums or countless other compilations.