The Beatles - "Yellow Submarine" complete soundtrack

 

It’s strange to me that two attempts were made to make a soundtrack for The Beatles' animated film “Yellow Submarine,” and yet neither version contains a complete tracklist.

The original soundtrack released in 1969 included six Beatles songs along with seven tracks by the George Martin Orchestra.

In 1999, a new version titled Yellow Submarine Songtrack was released. It included all but one of the Beatles songs that appear in the film, but none of the George Martin Orchestra music.

So, I have taken everything that I could find that I think should make up the “complete” soundtrack, and compiled what could have been issued as a double album.

SIDE A

1.       Pepperland

2.       March of the Meanies

3.       Yellow Submarine

4.       A Beginning

5.       Eleanor Rigby

6.       Love You To

SIDE B

1.       A Day in the Life

2.       All Together Now

3.       Sea of Time

4.       When I’m Sixty-Four

5.       Only a Northern Song

6.       Sea of Monsters

SIDE C

1.       Nowhere Man

2.       Lucy in the Sky with Diamonds

3.       Sea of Holes

4.       Yellow Submarine in Pepperland

5.       Think for Yourself

6.       Pepperland Laid to Waste

SIDE D

1.       Sgt. Pepper’s Lonely Hearts Club Band

2.       With a Little Help from My Friends

3.       All You Need is Love

4.       Baby You’re a Rich Man

5.       Hey Bulldog

6.       It’s All Too Much [long version]

Using what I think are the best sources, I compiled 24 tracks that include both Beatles songs and George Martin instrumentals into one complete album and put them in the order they appear in the film. I sourced all The Beatles songs (except “A Day in the Life” and “It’s All Too Much”) from Yellow Submarine Songtrack. For the George Martin Orchestra tracks (except “A Beginning”), I used the 2009 remastered version of the original soundtrack album.

Finally, I took “A Day in the Life” from the 50^th anniversary remastered Sgt. Pepper’s Lonely Hearts Club Band album and “A Beginning” from Anthology 3. I also used the extended 8:13 version of “It’s All Too Much,” which is so far only available on bootlegs.

In some cases, the film only includes excerpts of certain songs, but I chose to include the full versions here.

I particularly liked how the four album sides began and ended naturally with their six equal tracks. While searching online, I found this interesting alternate cover on Pinterest posted by petdevaney.

Sources:

• A1, A2, B3, B6, C3, C4, C6 – Yellow Submarine (soundtrack), 2009
• A3, A5, A6, B2, B4, B5, C1, C2, C5, D1, D2, D3, D4, D5 – Yellow Submarine Songtrack, 1999
• B1 – Sgt. Pepper’s Lonely Hearts Club Band: 50^th Anniversary Edition, 2017
• A4 – Anthology 3, 1996
• D6 – bootleg from YouTube

And here's a YouTube playlist of the album.

Creedence Clearwater Revival - "Mardi Gras" [reimagined]

 

Released in 1972, Mardi Gras was Creedence Clearwater Revival's last album. Most consider it the group's worst album and Rolling Stone Magazine called it the worst album by a rock band ever. 

The project was mired in discontent, with Tom Fogerty leaving beforehand and John Fogerty only making a half-hearted effort. The rhythm section of Stu Cook and Doug Clifford – never considered songwriters before – were forced to pick up the slack. Tom, Stu and Doug felt that John was too controlling and unwilling to listen to their ideas, and John was angry that they didn’t seem to appreciate that their success was mostly due to him.

But what if cooler heads had prevailed? What if instead of Tom leaving the band, everyone took a year off to do their own thing? Tom could release his two solo albums of 1972 (Tom Fogerty and Excalibur), and John and Doug issued one apiece the same year (Blue Ridge Rangers and Cosmo, respectively). Then, they could reconvene for one last CCR album that was still dominated by John but also more of a group effort.

SIDE A

1. Sweet Hitchhiker

2. Lookin’ for a Reason

3. Mystic Isle Avalon

4. What Are You Gonna Do

5. Back in the Hills

SIDE B

1. Joyful Resurrection

2. Hello Mary Lou

3. Door to Door

4. You Don’t Owe Me

5. Someday Never Comes

To revamp Mardi Gras, it was first important to remove the worst songs, which I believe were “Sail Away,” “Take It Like a Friend,” “Tearin’ Up the Country” and “Need Someone to Hold.” Not coincidentally, these are all songs by either Stu or Doug. I kept one song by each, “What Are You Gonna Do” and “Door to Door.” In the end, I kept only six of the album's 10 tracks.

In 1973, John released a single credited to the Blue Ridge Rangers. But unlike the album under that name that was made up of all covers, both sides of the single were written by John: “You Don’t Owe Me” and “Back in the Hills.” So, I included both songs.

Also, that year, Tom recorded a song titled “Mystic Isle Avalon” that actually includes all four members of CCR – in essence, the last CCR-recorded song. The track appeared on Tom’s Zephyr National album, which has Stu and Doug on every track. I also took “Joyful Resurrection” – the same album’s single – to include on the revised Mardi Gras.

Finally, I arranged the tracks in a way that I thought worked best. “Lookin’ for a Reason” was a terrible opening track for the album in my opinion, and instead I opened it with the best track on the album, the barn-burnin' “Sweet Hitchhiker.” "Lookin' for a Reason" is moved to the second track, followed by Tom's "Mystic Isle Avalon" and Doug's "What Are We Gonna Do." The first side ends with John's Blue Ridge Rangers track "Back in the Hills."

Tom’s song “Joyful Resurrection” opens the second side, followed by the cover of "Hello Mary Lou" and Stu's "Door to Door." The album closes with John’s “Someday Never Comes,” which seems appropriate.

Overall, while I still don't think this would have been the best CCR album, I do believe it’s a considerable improvement over what was released. I kept the original cover.

Here's a YouTube playlist of the album.

T. Rex - "Billy Super Duper"

 

At the time of his death in 1977, Marc Bolan was working on several new songs. But there’s no way of knowing whether any of them would have ended up on his next T. Rex album. He apparently left behind no notes, although there are references to the working title of Jack Daniels.

Over the years, there have been attempts, both official and unofficial (see Uncle Dan’s version), to create an album from leftover tracks. The primary version was a 1982 release titled Billy Super Duper that included seven songs recorded in 1977, one from 1976, two from 1975 and one from way back in 1972, and some of the tracks featured new overdubs to make them more fleshed-out tunes. Beyond that, there have been gobs of posthumously released albums with demos, alternate takes and pretty much every note Bolan ever recorded. The truth is, Bolin recorded so many demos between 1975-77, there’s no telling what he might have released had he lived longer.

SIDE A

1. 21^st Century Stance

2. Billy Super Duper

3. Shy Boy

4. Mellow Love

5. Endless Sleep

6. Brain Police

7. Write Me a Song

 

SIDE B

1. 20^th Century Baby

2. Hot George

3. Foxy Boy

4. Love Drunk

5. Depth Charge

6. Messing with the Mystic

7. Sing Me a Song

Looking over some of the last songs he recorded, I was struck by how several titles were similar and wondered if I couldn’t arrange a track list that created a concept album with the two sides of the album kind of mirroring each other. Bolan had attempted to create a concept album in 1975 titled Billy Super Duper, but apparently discarded the concept because his last two albums in 1976 and 1977 didn’t include any reference to it.

For this, I took 10 of the 12 songs featured on the 1982 Billy Super Duper release. It appears that at least seven of them were recorded in 1977 before the overdubs were done. I also included “Endless Sleep,” which Bolan performed on his 1977 TV series. I then added two tracks that are probably from 1976: “Write Me a Song” and the very similar “Sing Me a Song.” And finally, I included “Messing with the Mystic.” Although it’s a demo, the sound quality is pretty good, although not great. But I felt that title-wise it kind of matched up with "Brain Police."

So we end up with "21st Century Stance" paired with "20th Century Baby," "Billy Super Duper" matched with "Hot George," "Shy Boy" mirroring "Foxy Boy," and so on.

The result is a nice 14-track album, with Side A clocking in at just under 20 minutes and Side B at about 18½ minutes. It’s the kind of album where at first glance and listen, there is a concept, but on closer examination, there really isn’t.

Besides the 1982 Billy Super Duper, my source for these tracks was Marc Bolan & T. Rex Unchained: Unreleased Recordings 1972 -1977.

In deciding on an album title, I felt that calling it Jack Daniels would have been just asking for a lawsuit and a title his record company likely would have rejected (plus I didn't think it had anything to do with the "concept" I'm attempting). So, I went with Billy Super Duper. For cover art, I found this image online and redid the wording.

I tried to put together a YouTube playlist for this album, as I've done for other blog entries this year, but unfortunately, some songs can't be found there. Oh well.

 

George Harrison -- "Cosmic Empire"

 

I recently came upon walrusz’s YouTube channel where he’s added some new studio backing to a few demos George Harrison recorded. That led me to read up more on the 50^th anniversary of Harrison’s All Things Must Pass album where I discovered there were a number of outtakes he never officially released in his lifetime.

I’ve often thought that Harrison waited too long to record a follow-up to All Things Must Pass. Yes, it was a triple album (or a double album with an extra disc of jamming) and it was a massive success when it was released in 1970. However, his former bandmates released more albums than he did from 1970 through 1973. Paul McCartney issued five studio albums during that span and John Lennon released four. Even Ringo Starr recorded three studio albums. Meanwhile, George issued two: All Things Must Pass (1970) and Living in the Material World (1973).

Considering George supposedly had tons of songs he’d written that had been rejected by the other Beatles (namely John and Paul), one might think that he’d be keen to now get it all out there and have a follow-up album in 1971 or 1972. But in fact, he had other priorities, including legal issues, a failing marriage, the organization of the Concert for Bangla Desh and the care for his mother who was dying. 

So here's my attempt at an album that could have been.

SIDE A

1.      Cosmic Empire 

2.      Mother Divine 

3.      Window, Window 

4.      Dehra Dun 

5.      Going Down to Golders Green 

6.      Nowhere to Go 

SIDE B

1.      I Live for You

2.      Deep Blue 

3.      Tell Me What Has Happened to You 

4.      Om Hare Om (Gopala Krishna) 

5.      I Don’t Want to Do It 

There were several songs George demoed in 1970 that he later recorded for albums, and I decided not to use those.

Looking and searching, I found 11 songs that could have been used for a late 1971 or early 1972 album. I used five tracks that walrusz posted on his YouTube channel: “Cosmic Empire,” “Nowhere to Go,” “Dehra Dun,” “Mother Divine” and “Window Window.” For the latter song, I snipped off the studio chatter at the very beginning as I found it distracting. 

I also included the 2000 overdubbed version of “I Live for You” that George released with the 40^th anniversary of All Thing Must Pass, as well as the demos for “Going Down to Golders Green,” "Om Hare Om (Gopala Krishna)," “Tell Me What Has Happened to You” and “I Don’t Want to Do It” from the 50^th anniversary of the album. 

And finally, I included “Deep Blue,” the B-side of George’s 1971 “Bangla Desh” single. I thought about including “Bangla Desh” as well, but it’s very apparent that it was always meant to be a standalone single.

I especially like using the Bob Dylan-penned “I Don’t Want to Do It” to end the album with just George on vocals and guitar. The song's final line “I don't want to say goodbye” and abrupt stop seemed like a great ending, I think. George actually re-recorded the song in 1985 for the Porky’s Revenge soundtrack, and that seems like a sad result for a Dylan song that he himself never recorded. Using it here gives the song a bit more respect.

The result is what I think is a very enjoyable 11-track album. For the album cover, I found this photo of George online and added the words. I titled it Cosmic Empire after the lead-off track.

Here is a YouTube playlist of the album. Enjoy!

The Byrds - "Younger Than Yesterday" redone

I was recently inspired by the Albums That Never Were blog post, in which The Byrds’ album The Notorious Byrd Brothers was redone as if David Crosby had not been fired. I looked at the band’s previous album, Younger Than Yesterday, the first without any input from Gene Clark, and created a new version. This one includes three songs by Clark that were on his first solo album released nearly simultaneously with Younger Than Yesterday.

SIDE A

1. So You Want to Be a Rock ‘n’ Roll Star

2. Have You Seen Her Face

3. Needing Someone

4. CTA – 102

5. Renaissance Fair

6. Time Between

7. Everybody’s Been Burned 

SIDE B

1. So You Say You Lost Your Baby 

2. Mind Gardens 

3. The Girl with No Name 

4. Tried So Hard

5. It Happens Each Day

6. My Back Pages

Without contributions from Clark, Chris Hillman stepped up with four songs, plus a co-write with Roger McGuinn. This is interesting because prior to this, no other Hillman-written songs had been recorded by the band other than one track that was a group effort.

Rather than simply inserting Clark's songs, I looked at the album overall to see if I could improve it (at least in my mind). The album as released is very short – the first side clocks in less than 14 minutes. Besides adding three Clark tunes, I also decided to jettison two other tracks to make room for them. I removed Hillman’s “Thoughts and Words” as I didn’t think it contributed much, especially as the opening track of Side B. Plus, Hillman already has four other writing credits on the album. I also removed “Why,” a song co-written by McGuinn and Crosby. This was an odd choice in the first place because the band had released a slower version of the same song as a B side to the “Eight Miles High” single the previous year.

Clark’s solo album, Gene Clark with the Gosdin Brothers, includes both Hillman and Michael Clarke throughout, so it actually has three “Byrds” playing on it. I included the tracks “Needing Someone,” “So You Say You Lost Your Baby” and “Tried So Hard.” The first two I added because I simply liked them the most. I included “Tried So Hard” because I saw a video on YouTube of Clark performing it in maybe the late 1970s so I figured it must have been important to him. Also, Hillman recorded it in the early 1970s with his later group The Flying Burrito Brothers, so obviously he liked the track too.

Finally, I also added one outtake from the album, Crosby’s “It Happens Each Day.” Other than the insertions and deletions, the album's tracklist remains pretty much the same, although I moved the cover of Dylan’s “My Back Pages” to the end to close out the album. Because the album title is inspired by the song, and since it was released as a single, I thought ending the album with it made sense.

The result is an album with more variety, more tracks and a longer running time (each side is just under 16 minutes). It wasn’t until after I’d figured out a tracklist I liked that I realized the songs opening both sides have the same two first words in their titles. Weird.

And now for a special treat (ha!), I went the extra mile and created a second version of the album as a double, adding in more Clark songs and outtakes (see below). Sides A-C are about 15:10 give or take a second, while the fourth side is about 20 seconds shorter. You decide what you like more: a single or double album.

For cover art, I needed a photo that included Gene Clark, making the one I chose a bit dated. But doesn't having a photo of them a year or two earlier fit in with the album's title? Hmmmm. Otherwise, I think it looks good for a simple design. I removed some background imagery and added titles.

SIDE A 

1. So You Want to be a Rock and Roll Star

2. I Know My Rider (I Know You Rider) 

3. Think I'm Gonna Feel Better 

4. Time Between

5. The Same One 

6. Mind Gardens 

SIDE B 

1. So You Say You Lost Your Baby 

2. The Girl with No Name 

3. CTA-102

4. Is Yours Is Mine 

5. Everybody's Been Burned 

6. Echoes 

SIDE C 

1. Have You Seen Her Face 

2. It Happens Each Day 

3. Needing Someone

4. Don’t Make Waves 

5. I Found You 

6. Psychodrama City 

SIDE D 

1. Renaissance Fair 

2. Couldn't Believe Her

3. Why

4. Tried So Hard 

5. Thoughts and Words 

6. My Back Pages 

Here's a YouTube playlist of the double album version.

Sources: 

* Gene Clark with the Gosdin Brothers

* The Byrds' Younger Than Yesterday 1996 version with bonus tracks

* The Byrds box set

The Yardbirds - "Solo Flights"

 

Happy New Year!

In 1966, the Yardbirds' management encouraged band members to bring attention to the group through success in solo projects. The first to do so was singer Keith Relf, who issued two singles, although the highest they appeared on the charts was #50. 

Guitarist Jeff Beck also recorded a track, although it was nearly a year before it was issued, and by that time he was out of the group.

Jimmy Page joined the Yardbirds in June 1966. Although he didn't release a solo single as a member of the Yardbirds, Page had issued a single the previous year. 

I can find no solo recordings by other members of the group. If there were plans for recordings by Chris Dreja, Jim McCarty or even soon-to-depart Paul Samwell-Smith, they may have been canceled after Relf's dismal showing on the charts. I mean, if the lead singer can't get a hit song, how do you expect any of the other members to do so?

I wondered if I took the solo material by Relf, Beck and Page, along with an added soundtrack cut by the band from '66, we could compile a new "Yardbirds" album.

SIDE A

1. Stroll On (The Yardbirds)

2. Knowing (Keith Relf)

3. She Just Satisfies (Jimmy Page)

4. Mr. Zero (Keith Relf)

SIDE B

1. Beck's Bolero (Jeff Beck)

2. Shapes in My Mind (Keith Relf)

3. Keep Movin' (Jimmy Page) 

4. Blue Sands (credited to Keith Relf)

We start the album with "Stroll On," a song the Yardbirds recorded for the film "Blow Out," in which they appear performing the song. Although the writing of the song is credited to the Yardbirds, it's actually a re-write of "Train Kept A-Rollin'," which the band had recorded the previous year.

The next track is "Knowing," one of four songs from Relf's two solo singles. This is followed by Page's "She Just Satisfies" and Relf's "Mr. Zero" which closes the album's first side.

Side B opens with "Beck's Bolero," which is based on Maurice Ravel's "Bolero." Also featured on the song are Page, Keith Moon, John Paul Jones and Nicky Hopkins. Beck would later say that two or three other songs were recorded at the same session. Sadly, they've apparently been lost, erased or misfiled.

This is followed by tracks by Relf and Page. The last track, "Blue Sands," is an instrumental that first appeared on the B-side of Relf's second single. Although credited to Relf, apparently he doesn't appear on the song at all. It was, in fact, recorded by a British group called The Outsiders. I included it only because it had been credited to Relf, so theoretically, it would have been included in an album if one had been issued at the time.

This compilation results in a very short album, actually more likely an EP. But it is a nice way to package up some loose ends of Yardbirds-related songs. If you want to expand it a bit, there are a couple of tracks by The All-Stars featuring Jeff Beck (that also include Page) that were recorded in 1965.

Three of the Relf tracks can be found on the album All the Falling Angels - Solo Recordings & Collaborations 1965-1976. As far as I've been able to find, the song "Blue Sands" appears to only be available on the original single. "Beck's Bolero" is available on Beck's Truth album. The two Page tracks can be found on the album Session Man: Vol. 1.

For the cover, I chose a stock image of five biplanes, added the band and record company logos, and added the title.

David Bowie - "Magic"

There were three years between the release of David Bowie's Tonight album in 1984 and his follow-up Never Let Me Down album in 1987. In fact, Bowie released songs on three soundtracks in 1986. I thought that if those tunes were collected together, we could have a Bowie album for that year.

In all, there are 10 Bowie tracks that appeared on the Labyrinth, Absolute Beginners and When the Wind Blows soundtracks.

1. Opening Titles – Underground
2. Absolute Beginners
3. Magic Dance
4. Chilly Down
5. As the World Falls Down
6. When the Wind Blows
7. Within You
8. Volare (Nel Blu Dipinto Di Blu)
9. That’s Motivation
10. Underground

Of the three soundtracks, Labyrinth has the most Bowie songs with six, Absolute Beginners has three and When the Wind Blows has just the title track. I decided to mix the sequence of the songs and I think the result is generally satisfying, although the '80s production can be annoying. Then again, it's that shared mid-'80s production that allows all the tracks to gel as an album.

The album's length is 39:42, longer than Tonight (35:47) but much shorter than Never Let Me Down (53:07—although this album would later be shortened to 48:06 when one of the songs was jettisoned from re-releases). So, although short by today's standards, this imagined album actually measures up lengthwise with the times.

For a cover, I chose the slip sleeve for the "Magic Dance" single and altered it a bit, including spelling out the title in the Flood font. I decided to call the album Magic as I thought calling it Magic Dance was too much like the Let's Dance album title. Plus I liked the simplicity of the title. All tracks can be found on the aforementioned soundtracks. They're also all on the Loving the Alien (1983-1988) box set.

To hear how this album would sound, check out the YouTube playlist.