Wednesday, June 11, 2025
Elvis Presley - "Command Performances: The Essential '60s Masters II" box set
Sunday, June 2, 2024
Elvis Presley – Discography 1960 - 1963
This entry is to close out my Elvis Presley "discography series," but in fact, I made very few changes to what was released during this time. In my opinion, RCA et al did a decent job during these four years of releases. The only changes I make are to replace the 1961 Flaming Star EP with a single (the additional two songs were unnecessary re-releases), redo the third volume of the Golden Records series and add my revised version of the “lost” album, both from 1963.
1960
- SINGLE: Stuck on You / Fame and Fortune (March)
- ALBUM: Elvis is Back (April)
- SINGLE: It’s Now or Never / A Mess of Blues (July)
- ALBUM: G.I. Blues (September)
- ALBUM: His Hand in Mine (November)
- SINGLE: Are You Lonesome Tonight? / I Gotta Know (November)
1961
- SINGLE: Surrender / Lonely Man (February)
- SINGLE (add): Flaming Star / Summer Kisses, Winter Tears (April)
- EP (delete):
Elvis by Request: Flaming Star and 3 Other Great Songs(April) - SINGLE: I Feel So Bad / Wild in the Country (May)
- ALBUM: Something for Everybody (May)
- SINGLE: (Marie’s the Name) His Latest Flame / Little Sister (August)
- ALBUM: Blue Hawaii (October)
- SINGLE: Can’t Help Falling in Love / Rock a Hula, Baby (November)
1962
- SINGLE: Good Luck Charm / Anything That’s Part of You (February)
- EP: Follow That Dream (April)
- ALBUM: Pot Luck (May)
- SINGLE: She’s Not You / Just Tell Her Jim Said Hello (July)
- EP: Kid Galahad (August)
- SINGLE: Return to Sender / Where Do You Come From? (October)
- ALBUM: Girls! Girls! Girls! (November)
1963
ALBUM: Elvis’ Golden Records, Vol. 3 (January)
SIDE A
1.
Stuck on You
2.
Fame and Fortune
3.
It’s Now or Never
4.
Are You Lonesome Tonight?
5.
I Gotta Know
6.
Surrender
SIDE B
1.
I Feel So Bad
2.
Wild in the Country
3.
(Marie’s the Name) His Latest Flame
4.
Little Sister
5.
Can’t Help Falling in Love
6.
Good Luck Charm
RCA released Elvis’ Golden Records, Vol. 3 in August 1963. I would have pushed it up as a January 1963 release and changed the track listing a bit, as well as organized the songs in chronological order. Removed from the album are “Anything That’s Part of You,” which only made it to #31 on the charts; as well as “She’s Not You,” which was released only seven months prior. Instead, I included “Wild in the Country” (a #26 hit) and “Can’t Help Falling in Love” (a #2 hit that had been inexplicably left off). I decided to use this alternate cover I found on the web.
- SINGLE: One Broken Heart for Sale / They Remind Me Too Much of You (January)
- ALBUM: It Happened at the World’s Fair (April)
- SINGLE: (You’re the) Devil in Disguise / Please Don’t Drag That String Around (June)
ALBUM: For the Asking (August)
SIDE A
1.
(It’s a) Long Lonely Highway
2.
What Now? What Next? Where to?
3.
Ask Me
4.
Echoes Of Love
5.
Western Union
6.
Finders Keepers, Losers Weepers
SIDE B
1.
It Hurts Me
2.
Blue River
3.
Memphis, Tennessee
4.
Love Me Tonight
5.
Never Ending
6. Slowly But Surely
In 1991, RCA released The Lost Album (later re-released as For the Asking: The Lost Album), including songs from recording sessions in 1963. Most of the tracks were supposed to make up a new studio album. But instead, it was decided that another “greatest hits” package would sell better. From the 15 songs recorded during the sessions, I didn’t include the three that were used for singles during this year: “Witchcraft,” “Please Don’t Drag That String Around” and “Devil in Disguise.” I then organized the track list keeping a mix of up-tempo songs and ballads. I think this ends up being a really good album that never quite was but should have been. For a cover, I found a version online and edited the track listing.
- SINGLE: Bossa Nova Baby / Witchcraft (October)
- ALBUM: Fun in Acapulco (November)
If you want to review my previous Elvis discographies, click on the links below:
Elvis
Presley’s Debut Album on Sun Records
Elvis
Presley’s 1950s Discography with RCA
Sunday, November 5, 2023
"Catch .44" soundtrack
This is a really short and quick entry. I have friends in the band Deadbolt, and one of their songs is played in the 2011 Forest Whitaker/Bruce Willis movie "Catch .44." The film was a box office bomb, although it’s a fairly entertaining crime flick.
No soundtrack album was released for the movie, but the featured songs are a real grabbag of genres and times. From the spaghetti western “Ride ‘Em,” glam rock from David Bowie and Sweet, rap en español by Vakero, plus country, alt-rock, psychobilly, gospel, etc. Even a track by Willis. Think of it as a crazy mix tape.
1. Ride ‘Em – Ben Zarai
2. Fox on the Run – Sweet
3. Choose Me – The Debonettes
4. Queen Bitch – David Bowie
5. Between Midnight and Day – Corey Harris
6. I’ll be All Smiles Tonight – Mac Wiseman
7. Dead Sound – The Raveonettes
8. Respect Yourself – Bruce Willis
9. Sweet Rock and Roll – Vibrolux
10. Se Partio de Lapiz – Vakero
11. Zulu Death Mask – Deadbolt
12. Silver Piano Man – Cotton Jones
13. Believer – Viva Voce
14. Fair and Tender Ladies – The Osborne Brothers
15. Running Bear – Johnny Preston
16. U R A Fever – The Kills
17. Hot Ashes – Jordan Klassen
18. Living, Forgiving – Paul Burch
I’m not going to go through all the sources, but suffice it to say you probably won’t find two songs on any one album. Let Amazon, iTunes, etc. be your friend.
For a cover, I simply took the movie poster and cropped and edited it.
Sunday, June 4, 2023
The Beatles - "Yellow Submarine" complete soundtrack
It’s strange to me that two attempts were made to make a soundtrack for The Beatles' animated film “Yellow Submarine,” and yet neither version contains a complete tracklist.
The original soundtrack released in 1969 included six Beatles songs along with seven tracks by the George Martin Orchestra.
In 1999, a new version titled Yellow Submarine Songtrack was released. It included all but one of the Beatles songs that appear in the film, but none of the George Martin Orchestra music.
So, I have taken everything that I could find that I think should make up the “complete” soundtrack, and compiled what could have been issued as a double album.
SIDE A
1.
Pepperland
2.
March of the Meanies
3.
Yellow Submarine
4.
A Beginning
5.
Eleanor Rigby
6. Love You To
SIDE B
1.
A Day in the Life
2.
All Together Now
3.
Sea of Time
4.
When I’m Sixty-Four
5.
Only a Northern Song
6. Sea of Monsters
SIDE C
1.
Nowhere Man
2.
Lucy in the Sky with Diamonds
3.
Sea of Holes
4.
Yellow Submarine in Pepperland
5.
Think for Yourself
6. Pepperland Laid to Waste
SIDE D
1.
Sgt. Pepper’s Lonely Hearts Club Band
2.
With a Little Help from My Friends
3.
All You Need is Love
4.
Baby You’re a Rich Man
5.
Hey Bulldog
6. It’s All Too Much [long version]
Using what I think are the best sources, I compiled 24 tracks that include both Beatles songs and George Martin instrumentals into one complete album and put them in the order they appear in the film. I sourced all The Beatles songs (except “A Day in the Life” and “It’s All Too Much”) from Yellow Submarine Songtrack. For the George Martin Orchestra tracks (except “A Beginning”), I used the 2009 remastered version of the original soundtrack album.
Finally, I took “A Day in the Life” from the 50th anniversary remastered Sgt. Pepper’s Lonely Hearts Club Band album and “A Beginning” from Anthology 3. I also used the extended 8:13 version of “It’s All Too Much,” which is so far only available on bootlegs.
In some cases, the film only includes excerpts of certain songs, but I chose to include the full versions here.
I particularly liked how the four album sides began and ended naturally with their six equal tracks. While searching online, I found this interesting alternate cover on Pinterest posted by petdevaney.
Sources:
- A1, A2, B3, B6, C3, C4, C6 – Yellow Submarine (soundtrack), 2009
- A3, A5, A6, B2, B4, B5, C1, C2, C5, D1, D2, D3, D4, D5 – Yellow Submarine Songtrack, 1999
- B1 – Sgt. Pepper’s Lonely Hearts Club Band: 50th Anniversary Edition, 2017
- A4 – Anthology 3, 1996
- D6 – bootleg from YouTube
Sunday, December 4, 2022
David Bowie - "Magic"
There were three years between the release of David Bowie's Tonight album in 1984 and his follow-up Never Let Me Down album in 1987. In fact, Bowie released songs on three soundtracks in 1986. I thought that if those tunes were collected together, we could have a Bowie album for that year.
In all, there are 10 Bowie tracks that appeared on the Labyrinth, Absolute Beginners and When the Wind Blows soundtracks.
1. Opening Titles – Underground
2. Absolute Beginners
3. Magic Dance
4. Chilly Down
5. As the World Falls Down
6. When the Wind Blows
7. Within You
8. Volare (Nel Blu Dipinto Di Blu)
9. That’s Motivation
10. Underground
Of the three soundtracks, Labyrinth has the most Bowie songs with six, Absolute Beginners has three and When the Wind Blows has just the title track. I decided to mix the sequence of the songs and I think the result is generally satisfying, although the '80s production can be annoying. Then again, it's that shared mid-'80s production that allows all the tracks to gel as an album.
Sunday, February 6, 2022
Max Frost and The Troopers - The Complete Recordings
Max Frost and The Troopers was a fictitious band with a complicated history. But who recorded songs attributed to the band? Was it an existing band using a pseudonym or a faceless group of studio musicians? And just how many tracks can we consider to be "Max Frost and The Troopers" songs?
- There Is a Party Going On
- You Might Want Me Baby
- Shape of Things to Come
- Lonely Man
- Shine it On
- It's Wrong
- Captain Hassel
- Fifty Two Per Cent
- Try to Make Up Your Mind
- Let Your Mind Run Free
- She Lied
- A Change is Gonna Come
- Love to Be Your Man
- Free Lovin'
- Psychedelic Senate
- Fourteen or Fight
- Wild in the Streets
- Listen to the Music
- Sally LeRoy
- Shelly in Camp
- Paxton Quigley's Had the Course
- Sittin' in Circles
- Max Frost Theme
Some believe the music recorded under the name of Max Frost and The Troopers was actually by a group called 13th Power, which recorded one single in 1967. 13th Power was apparently the same group that went by the name The Mom’s Boys and recorded songs that appear on the soundtracks for the films "Riot on the Sunset Strip" and "Freakout USA."
However, others think Max Frost and The Troopers were actually the band Davie Allan and the Arrows, which also recorded songs for soundtracks to movies issued by the same studios. A third theory is that Max Frost and The Troopers was a mixed group of members from both 13th Power and Davie Allan and the Arrows, as well as various studio musicians.
Max Frost, played by Christopher Jones, was the main character in the May 1968 movie "Wild in the Streets." Frost is a rock star who rises to become president of the United States after the voting age is dropped to 14. The soundtrack to the movie was credited to Max Frost and The Troopers.
However, the first recordings issued that were credited to the band were two tracks on the soundtrack to the film "Glory Stompers," which came out in November 1967. Both films were produced by American International Pictures, which focused on low-budget horror and exploitation movies targeted at teenagers.
It’s unclear whether the studio decided to recycle the name Max Frost from the fictitious band on the "Glory Stompers" soundtrack or if the songs on the "Glory Stompers" soundtrack were a way to give the group some rock cred before "Wild in the Streets" came out.
Two of the Max Frost songs on the "Wild in the Streets" soundtrack had previously appeared as a single a few months earlier credited to 13th Power. The soundtrack versions are re-recordings but seem to have the same vocalist, Paul Wibier, who wrote or co-wrote most of the songs on the soundtrack. One of the songs he didn’t write was "The Shape of Things to Come." It was written by the Brill Building songwriters Barry Mann and Cynthia Weil and the song became a hit, rising to No. 22 on Billboard and remaining on the charts for nine weeks. Now considered a classic psychedelic / garage rock anthem of its era, the song sounds as if it’s a collaboration of The Yardbirds and The Grass Roots with a little Doors thrown in as well.
Considering it was a fictitious band that was featured on screen, you might expect that "Wild in the Streets" was the end of Max Frost and The Troopers. However, American International Pictures distributed the film "Three in the Attic" in 1969 with a soundtrack by Chad and Jeremy. But the studio didn’t have the rights to issue Chad and Jeremy songs on records. So they resurrected Max Frost and The Troopers, rerecorded one Chad and Jeremy song “Paxton Quigley's Had the Course,” and issued a single with the track “Sittin’ in Circles” on the flip side. And these songs may have indeed been recorded by Davie Allan and The Arrows (or studio musicians, or a combination – who knows?)
The original soundtrack for "Wild in the Streets" contained just 10 songs. In 2014, Captain High Records released an expanded version with 19 tracks, including "Paxton Quigley's Had the Course," but curiously not "Sittin’ in Circles." If we take the Captain High compilation, and add "Sittin' in Circles" as well as the two tracks from the "Glory Stompers" soundtrack plus another B-side, we have the complete 23 recordings of Max Frost and The Troopers.
But full disclosure: I'm actually still searching for the two B-sides of "Sittin' in Circles" and "Max Frost Theme." So my "complete recordings" is incomplete. If anyone out there has mp3 files of these two songs, I'd be thrilled to have them.
For cover art, I took inspiration from the first line of "Shape of Things to Come" ("There’s a new sun, rising up angry in the sky...."), found this photo online taken by Giuliano Maiolini, cropped it and added titles.
UPDATE (June 2022): I managed to get an mp3 of "Sittin' in Circles." Just one more to go.
UPDATE (January 2025): Having now found all the songs, here's a YouTube Playlist for this album.
Sunday, January 2, 2022
Elvis Presley - Discography 1964-68
With Elvis Presley's birthday coming up this week, we dive into his 1960s output and see if we can bring some semblance of order to his messy discography.
There were a number of problems with Elvis’ discography, especially beginning in the early to mid-1960s. One issue was a reduction in the quality of the material. Elvis’ management had set up publishing companies to bring in additional revenue, and most of the songs Elvis recorded were from writers contracted to the companies. Also, much of the material was written to coincide with (bad) movie scripts and was more focused on a scene in a film rather than simply being a good song. Finally, there was the sheer amount of songs (Elvis was making two to three movies with soundtracks every year) being recorded that led to over-saturation.
In hindsight, all of these problems could have been avoided with better direction and planning by Elvis, his managers and RCA Records. Here, I look at the years 1964-68. These are the years Elvis didn’t record any studio albums (except one gospel LP), only releasing soundtracks and singles. All told, RCA released 28 singles, 11 soundtrack albums, three soundtrack EPs and one gospel album during those five years. It was simply overload. And if you can believe it, Elvis starred in 15 movies during those five years. Fifteen! I wanted to look at each of these years to see what could have been released and what should have remained in the vaults and on the screen.
1964
Three Elvis movies were released in 1964: Kissin’ Cousins, Viva Las Vegas and Roustabout. Viva Las Vegas, with co-star Ann-Margret, had the strongest music of the three, but crazy enough is the only one that didn’t have a soundtrack album. I rectified that here and would argue that that should have been the only one of the three full soundtracks released. The other two films could have been promoted with singles at the time, and then the best songs of both movies used to make one album at the end of the year.
You can almost always find some lost song on an Elvis album that you wonder why it wasn’t a big hit. For me, “Catchin’ on Fast” could have been a really good pop song if it had better production and had Elvis put more energy into his vocals (he reportedly was fighting a cold during recording). I used this song for the album's title. Included in this collection is “I’m a Roustabout,” a song written for the film, but not used and not even released until 2003.
It should be noted that although the song “Do the Clam”
from Roustabout was released as a
single, it’s such a stupid song (and did so poorly on the charts) that I saw no
reason to include it for this album. Neither the covers for Roustabout nor Kissin' Cousins seemed a good fit for this collection, so I created a new one using a portrait of Elvis taken about 1964 and added titles and a record company logo.
SIDE A
1. Roustabout
2. Poison Ivy League
3. Little Egypt (Ying Yang)
4. There's a New Day on the Horizon
5. Hard Knocks
6. I'm a Roustabout
SIDE B
1. Kissin' Cousins
2. One Boy, Two Little Girls
3. Once is Enough
4. Anyone (Could Fall in Love with
You)
5. Catchin’ on Fast
6. Tender Feeling
1965
Elvis again had three films released
in 1965, but one of the films, Tickle Me,
used songs recorded much earlier (apparently in a money-saving move). For the
other two films, Girl Happy and Harum Scarum, we again create a
compilation of the “best” songs. The song “Hey Little Girl” would seem to be
the lost gem of this mix, until you see how the song is used in the film where
Elvis sings to a pre-teen girl and then it just seems creepy. For an album cover, I didn't think any of the song titles made a good album title. So I ended up using a fairly generic title, A New Day, and redid the Girl Happy cover.
SIDE A
1. Harem Holiday
2. Hey Little Girl
3. Golden Coins
4. So Close Yet So Far (from
Paradise)
5. Animal Instinct
6. Wisdom of the Ages
SIDE B
1. Girl Happy
2. Wolf Call
3. Do Not Disturb
4. The Meanest Girl in
Town
5. Puppet on a String
6. I've Got to Find My Baby
1966
In 1966, Elvis released yet again three movies (are you seeing a pattern?): Frankie and Johnny, Paradise, Hawaiian Style, and Spinout. It’s fairly obvious that Team Elvis hoped that Paradise, Hawaiian Style would duplicate the success of Blue Hawaii from five years earlier. Given the island/beach-themed material, it seems best to keep that soundtrack album as is (it was also the best-selling of the three).
That leaves us with the other two soundtracks to
make one decent album. The album kicks off with the rocking "Stop, Look and Listen," which seems to borrow heavily from Ray Charles' "What'd I Say." And I decided to use that song as the title of this album. Outside the U.S., the Spinout album (and movie) was called California Holiday (I guess "spinout" doesn't translate well). I considered using that title, but it didn't really do much for me (and this coming from a Californian). For the cover, I used the one for Spinout and changed the words.
SIDE A
1. Stop, Look and Listen
2. All That I Am
3. Never Say Yes
4. Am I Ready
5. Spinout
6. I'll be Back
SIDE B
1. Frankie and Johnny
2. What Every Woman Lives For
3. Down by the Riverside / When the
Saints Go Marchin' In
4. Shout It Out
5. Hard Luck
6. Please Don't Stop Loving Me
1967
The obligatory three Elvis films of 1967 were Easy Come, Easy Go, Double Trouble and Clambake. Elvis also released a gospel album titled How Great Thou Art. This album can stand on its own, so I went about condensing the three soundtracks into one album. But even with two soundtrack albums and one EP, finding enough decent songs to fill this compilation wasn't easy. They were really scraping the barrel at this point. Plus they filled out the soundtracks with "bonus songs" that we used on the Guitar Man album (see below).
Since we're combining three albums into one, finding a good cover wasn't easy. I decided to use this publicity photo of Elvis (an alternate shot was used for the Clambake album cover), and came up with a new title: Night and Day, influenced by the song "City by Night"
SIDE A
1. Easy Come, Easy Go
2. You Gotta Stop
3. I'll Take Love
4. Double Trouble
5.
Baby, If You'll Give Me All of Your Love
6. Could I Fall in
Love
SIDE B
1. Long Legged Girl (With the Short Dress On)
2.
City by Night
3. There
Is So Much World to See
4.
A House That Has Everything
5.
Hey, Hey, Hey
6.
You Don't Know Me
7. The Girl I Never Loved
1968
In late 1967/early 1968 there actually seems to have been an attempt to record a regular studio album for the first time in five years. I tackled that here, calling it Guitar Man, and I still think it should have been released at the time. Also, the soundtrack to Elvis’ TV comeback special came out in December of 1968, and that too we should assume would still have been released. In between, there were again three Elvis movies (Speedway, Stay Away Joe and Live a Little, Love a Little) that we’ll use to squeeze the best songs onto one album.
1967 and 1968 (before the comeback special)
were the worst years of Elvis’ career sales-wise. From 1956 through 1966, new
Elvis albums had always made it to at least the Top 20 of the charts. But
sales steadily deteriorated until the Speedway
soundtrack went no higher than 82. However, in my opinion, there are actually better song choices from 1968 than there were from the previous year, including "A Little Less Conversation" and the pseudo-psychedelic "Edge of Reality," which I used for the title of this album. I used a publicity photo to create a new cover and enhanced the color to make it a little bit "trippy."
SIDE A
1. A Little Less Conversation
2. Almost in Love
3. Stay Away
4. All I Needed was the Rain
5. Goin' Home
6. Edge of Reality
SIDE B
1. Speedway
2. There Ain't Nothing Like a Song
3. Your Time Hasn't Come Yet, Baby
4. Who Are You? (Who Am I?)
5. Let Yourself Go
6. Wonderful World
So in the end, we’ve taken 10 soundtrack albums and three soundtrack EPs and and condensed them down and produced five stronger soundtrack compilation albums, added a new soundtrack (Viva Las Vegas) and left one intact (Paradise, Hawaiian Style). We also leave two other albums intact (How Great Thou Art and Elvis NBC TV Special) and create one new LP, Guitar Man. And I would have severely curtailed the number of singles released as well. Had this plan been followed, Elvis' discography could have looked like this:
1964
- SINGLE: "It Hurts Me" / "Kissin' Cousins" (February)
- ALBUM: Viva Las Vegas (May)
- SINGLE: "Viva Las Vegas" / "What'd I Say" (May)
- ALBUM: Catchin' on Fast (November)
- SINGLE: "Little Egypt (Ying Yang)" / "Roustabout" (November)
1965
- SINGLE: "Puppet on a String" / "Girl Happy" (March)
- SINGLE: "Crying in the Chapel" / "I Believe in the Man in the Sky" (April)
- SINGLE: "Hey Little Girl" / "Harem Holiday" (October)
- ALBUM: A New Day (November)
1966
- SINGLE: "Frankie and Johnny" / "Hard Luck" (March)
- ALBUM: Paradise, Hawaiian Style (June)
- SINGLE: "Love Letters" / "Come What May" (June)
- SINGLE: "All That I Am" / "Spinout" (September)
- ALBUM: Stop, Look and Listen (October)
- SINGLE: "If Everyday Was Like Christmas" / "How Would You Like to Be" (December)
1967
- ALBUM: How Great Thou Art (February)
- SINGLE: "You Gotta Stop" / "Easy Come, Easy Go" (March)
- SINGLE: "Long Legged Girl" / That's Someone You Never Forget" (May)
- ALBUM: Night and Day (October)
- SINGLE: "You Don't Know Me" / "Clambake" (October)
1968
- SINGLE: "Guitar Man" / "Hi Heeled Sneakers" (January)
- ALBUM: Guitar Man (February)
- SINGLE: "Let Yourself Go" / "Speedway" (May)
- SINGLE: "A Little Less Conversation" / "Edge of Reality" (September)
- ALBUM: Edge of Reality (October)
- SINGLE: "If I Can Dream" / "Almost in Love" (December)
- ALBUM: Elvis (NBC TV Special) (December)
Would this have given Elvis’ career a more positive trajectory? Well, this exercise would do nothing to change the movies. But it certainly would have made his discography simpler and easier to follow and allowed better focus on the best musical material Elvis produced during this period.











